Full Of Hell- Garden Of Burning Apparitions LP (Golden Chalice Edition)

Third Press

2043 x White Inside Black Ice with White and Metallic Silver Splatter Standard Gram

Second Press

997 x Gold Nugget Standard Gram 

First Press

3716 x Metallic Silver Standard Gram

542 x Neon Yellow Standard Gram

556 x Highlighter Yellow with Metallic Silver and Metallic Gold Splatter Standard Gram

493 x Black Ice Standard Gram 

526 x Cloudy Red Standard Gram

356 x Olive Green Standard Gram 

356 x Swamp Green Standard Gram

347 x Clear, Milky Clear and Clear Striped with Rainbow Splatter Standard Gram

262 x Oxblood Standard Gram

296 x Translucent Gold Standard Gram

234 x Neon Violet Standard Gram

247 x Oxblood, Swamp Green and Metallic Silver Tri Color Merge with Oxblood, Bone White and Metallic Silver Splatter Standard Gram

141 x Black Inside Clear and Blood Red Half 'n Half with Metallic Gold, Metallic Silver and Blood Red Splatter Standard Gram

100 x Clear (Not available to the public - Friends of band and label only)

FULL OF HELL return with their highly anticipated new album, Garden Of Burning Apparitions. The new album, a genre-bending blitzkrieg of hardcore, grind and death metal, sees the band expand upon the very elements that have propelled FULL OF HELL to the forefront of extreme music over the last decade.

Produced by Seth Manchester at Machines With Magnets in Pawtucket, Rhode Island, Garden of Burning Apparitions also sees FULL OF HELL adding new dimensions to their warp-speed hellscape. Guitarist Spencer Hazard and bassist Sam DiGristine's monstrous riffs now have an added noise-rock influence, while drummer Dave Bland commands the rhythm section at blazing speeds.

Lyrically, Garden of Burning Apparitions sees vocalist Dylan Walker exploring (anti)religion, life's impermanence and the fear that comes with knowing death is inescapable. "Industrial Messiah Complex” grinds organized religion to a pulp in under 90 seconds, while Walker contemplates the commodification of spirituality seen in America’s vast network of garish mega-churches and how these practices are at odds with true spirituality. Meanwhile, “Reeking Tunnels” rides a strident noise rock riff down into the sewer. It’s a metaphor for the physical and mental space we become trapped in when we live in a perpetual state of fear and hate. Elsewhere, justifiable ochlophobia propels the guttural death metal blast of “Eroding Shell.” Lyrically, the song seeks to capture our fear of the violent, ignorant mob—a scene glimpsed far too often in this volatile era.

In the end, FULL OF HELL's boundary smashing has paid off again. “I think it’s good that we tried not to pigeonhole ourselves early on,” Walker reflects. “Because now, 10 years in, we have the opportunity to make whatever record we want, within reason, and people will follow along.”